 Executive Vice President of Production and Executive Producer
Sony Pictures Imageworks
Jenny Fulle, executive vice president and executive producer for Sony Pictures Imageworks, is currently overseeing visual effects and animation production on the feature films Speed Racer, Hancock, Eagle Eye, G-Force and Cloudy with a Chance of Meatballs.
Most recently, Fulle managed digital production on Sony Pictures Animation’s, Academy Award® nominated film Surf's Up, as well as Ghost Rider and Spider-Man® 3.
While at Imageworks, Fulle has also worked on Academy Award® nominated The Chronicles of Narnia: The Lion, The Witch And The Wardrobe, Academy Award® winning Spider-Man® 2, Academy Award® and BAFTA nominated Spider-Man, as well as Imageworks’ first animated short film and Oscar® winner for Best Animated Short Film in 2002, The ChubbChubbs.
Fulle’s other Imageworks credits include Open Season, Zathura, Bewitched, The Aviator, The Matrix Revolutions, The Matrix Reloaded, Bad Boys II, and Stuart Little 2.
Before joining Sony Pictures Imageworks, Fulle was visual effects producer at DreamWorks SKG on the film Mouse Hunt and a visual effects production executive for Disney’s feature department.
Fulle has also served as head of production for Warner Digital Studio where she produced the visual effects for the feature film Eraser, a visual effects producer at Digital Domain on the feature film Apollo 13, and a visual effects producer on the feature film True Lies for Boss Film Studio.
Fulle first produced visual effects in 1992, on the feature film Batman Returns, while working at 4Ward Productions. Before producing visual effects, Fulle worked at Dream Quest Images on the film Total Recall.
Fulle began her career in visual effects at age 18 as a janitor for George Lucas’ Industrial Light & Magic. She rose through the ranks of entry-level positions, eventually becoming visual effects production assistant on Star Trek IV: The Voyage Home. While working and learning visual effects at ILM, Fulle worked on many projects, including the Academy Award® winning films Who Framed Roger Rabbit and Innerspace. Fulle also coordinated location photography for ILM on and Ghost.
Jenny Fulle was born in San Francisco and raised in Marin County. Fulle’s earliest national accomplishment was at age 11 when, after a lengthy court battle with N.O.W. and the A.C.L.U. by her side, she won the right for girls to play Little League baseball and was the first girl in the United States to actually play. She led her league in homeruns that year.
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